New Music: Best Of 2013 So Far #2

2013 may only be a few months old, but it has already been a great year for music so far. With spring well under way (I say spring, what I mean is slightly less cold weather than winter) and May nearly upon us I thought it would be a good time to give a quick roundup of some more of the best songs that have been released this year. It’s been a few weeks since I last did one of these, and there has been plenty to choose from since that last post.

There’s a real mixture of songs in here, and I really recommend you give them all a listen. There are some underrated and new artists that deserve to grace your ears, and fair to say you won’t regret listening to them. So sit back and enjoy. You never know, you may find your new favourite song for the week :)

Airborne Toxic Event- Timeless:  Ah, the infamous difficult third album. One of the many banana skins of the music world. This is where we find The Airborne Toxic Event with their latest release and I’m happy to report, its business as usual. This, the first single from the LA indie group’s third album, follows on in the same vein as their previous releases. Fans of the band will be familiar with their blend of indie rock and orchestral influenced sound, and this is continued in their latest single. Couple this with wonderful, heartfelt song writing and you get a fantastic song that will stick in your head. If the rest of the album is as good as this, then it’s going to be one of the best of the year.

Airbourne- Live It Up: Part of the new generation of rock artists, Airbourne offer uncomplicated, no holds barred hard rock, very much in the style of fellow Aussies AC/DC. As if that’s a bad thing. ‘Live It Up’, the first single off their new album ‘Black Dog Barking’ could easily have been taken off either of their previous albums, as their style hasn’t changed. But then again, if it ain’t broke, don’t fix it. Airbourne are very good at what they do, and that is playing straightforward rock n roll. So what if they’re influenced by older bands, they’re not ripping them off. And anyway, bands such as AC/DC won’t be around for ever. Best thing to do, turn the volume up to 11, put your devil horns in the air and enjoy.

Beady Eye- Flick Of The Finger: Liam Gallagher returns with his second solo effort. Having been outdone by brother Noel with his debut solo album (I preferred it anyway) there was perhaps a little bit of pressure on Liam to up his game for Beady Eye’s new record. While it may not click with you immediately, it does grow on you. I had to give it a few listens, but I think it’s a really good song. It sounds different to the brash rock n roll of his Oasis past, and sounds more mature, as if he is trying to set himself apart from his old band. In fact if it wasn’t for Gallagher’s distinctive vocals, you wouldn’t have any idea that there were any links to the Brit Pop goliaths at all. If the rest of the album is going to sound this good, then we are in for a treat.

Biting Elbows- Bad Motherfucker: There’s a good chance you may already be familiar with this video. It’s certainly popular, 12.5m views since mid-March and still going. It’s on this list because it’s the best music video I’ve seen in a long time. I don’t think I’ve seen anything quite like it. It tips its hat towards ‘Smack My Bitch Up’ by The Prodigy, but that’s only because of the First Person style its shot in. Other than that, I think it’s pretty unique. I certainly haven’t seen another music video that is so blood thirsty and Call Of Duty-esque. The song itself is fairly good. Not the best song I’ve ever heard, but the sound and style fits the video perfectly.

Daft Punk – Get Lucky: I am not a big fan of electronic music, but there is something about Daft Punk that just draws me in. ‘Get Lucky’ is no different. I was hooked inside the first 5 seconds. That funky beat just had pulled me in. If that has no effect on you, which is highly unlikely, then there’s a good chance the catchy chorus will. Either way, it has the perfect ingredients for a song to plant itself in your head and grow there for a while. Funnily enough it takes over two minutes for there to be any indication that this is a Daft Punk song at all. But then the unmistakable voice distortion quickly dispels that notion. This song could well end up being one of the biggest songs of the year, and as it’s already reached Number 1 in the UK charts, who’s to say it won’t.

Fall Out Boy- The Phoenix: If it wasn’t for David Bowie, I think this may have been up for one of the most unexpected comebacks of the year. Their time away however seems to have them the world of good. Before, Fall Out Boy were riding on the pop punk/emo wave, a field that become littered with bands that all sounded similar. By taking themselves out of the game, they have been able to reinvent themselves, with ‘The Phoenix’ being the perfect metaphor for them rising up out of the ashes of their previous work. With its big chorus, it’s a perfect rock party song and one that shows that Fall Out Boy are back and mean business.

 
Gabriella Cilmi- Sweeter In History: I was, actually still am, a big fan of Gabriella Cilmi’s debut album. She managed to find her own little style in the sometimes saturated world of singer songwriters. That’s why I was a little disappointed in the change of direction towards a more ‘pop’ orientated sound for her follow up album ‘10’. Things have changed with her new album however, with Cilmi bringing her music back towards something she wants to do. Now making music she “has always longed to create”, ‘Sweeter In History’ is a moody, atmospheric song that has a slightly different style to her debut, but is still just as easy to listen to. Imagine Macy Gray crossed with Lana Del Rey and you wouldn’t be far off. To be honest, I’m just glad she’s moved away from the generic pop sound, as she has a wonderful voice and is a brilliant talent.

 
Haerts- Wings: Hailing from New York (by that I mean Germany, England and the United States), this is the debut single from indie rockers Haerts. Led by frontwoman Nini Fabi, they remind me of fellow Indie band Buffseeds. There is a similar sound in the delivery of the vocals. You even catch hints of Delores O’Riordan (The Cranberries) and Susanna Hoffs (The Bangles) in there. There is quite a lot going on in the song, but it is well structured, and focuses mainly on Fabi’s brilliant voice. There’s a real strength to it that grabs your attention. Put against a perfect blend of light and airy indie-pop, Haerts have created something that sounds new and fresh. A song perfect song for the upcoming summer.

 
Haim- Falling: There has been a considerable amount of hype surrounding Haim, not least over here in the UK since they came top of the BBC Sound of 2013 poll. Even though some winners of this poll have not gone on to match their potential, there is little chance of this trio of sisters from LA falling by the wayside. Whilst comparisons to Fleetwood Mac, and in particular Stevie Nicks are fairly accurate, to label them merely as wannabes does them a huge disservice. Following on from their previous single, the brilliant ‘Don’t Save Me’, Haim are showing that they can couple a strong harmony with a good beat wrapped together in a soft rock package. Considering their debut album hasn’t been released yet, they are doing remarkably well for themselves. It’s one that you won’t regret pre-ordering.

John Grant- GMF: Until I heard this song played as ‘Record of the Week’ on a Drive Time radio show, I had never heard of John Grant before. He came highly recommended by the DJ and as I’m always interested in new artists (well new to me), I gave it a listen.  He went ahead and played this song, although a cleaner, censored version and I have to say I was really impressed. Formally of alternative rock band The Czars, Grant went solo in 2010. The song is heartfelt and well written, with hints of the band Eels in the delivery of the vocals. It’s a really nice, gentle song that really absorbs you, and the even the expletives don’t sound out of place. He is a fantastic talent, and one that I am glad to have discovered.

Kodaline- High Hopes: Kodaline may not be reinventing the wheel with their music; their similarity to Ben’s Brother is quite stark. This doesn’t mean however that they should be ignored. If you caught the Dublin quartet’s debut single 'All I Want' at the back end of last year, then you will be familiar with the sort of sound that Kodaline deliver. Their brand of emotionally charged soft rock really is captivating. Although there are some similarities to fellow 2013 debutant Tom Odell, this could be a big year for the Irish band. They are already building themselves a reputation and a strong fanbase.

KT Tunstall- Feel It All: Scottish singer/songwriter KT Tunstall returns with her 4^th album Invisible Empire // Crescent Moon this summer, with this song the first single. While is still possesses her distinctive vocals, the song has a stripped back, relaxed feel about it. This is explained by the arrangement of the album, which is divided into two parts. ‘Invisible Empire’ has a darker side, influenced after the death of her father last year. The second part, ‘Crescent Moon’ “evokes an ethereal mood” and is “more reflective of deeply felt changes in outlook.” This follows from Tunstall’s separation from her husband late last year. Taking that into consideration, it is easy to see why it’s not an upbeat number. However to think this song is a dull and depressing heap of misery couldn’t be further from the truth. It is showing a different side to her song writing, and one that appears to be flourishing. On the strength of this, I am really looking forward to the rest of the album.

Lissie- Shameless: It’s taken a little while to grow on me, but I really like this song. The first single off Lissie’s new album and it shows a slight change in direction. She has moved away from the bluesy soft rock of ‘Catching A Tiger’, and towards a more ‘mainstream’ sound. Well at least on the evidence presented here she has. However it also shows a progression, especially in her song writing. This is demonstrated in her single ‘Shameless’, a reflection on the ‘celebrity culture’ that we live in at the moment, much like Amy MacDonald’s song ‘This Pretty Face’. It may sound a little disjointed at first, but it pieces together well after you’ve listened to it a couple of times. There’s also a rawness to it that gives it that extra edge and bite.

Lissie explains: “We live in a society where terrible behaviour is rewarded with coverage and attention, where celebrity is seen as a talent in itself. I understand the allure of image and of a good story but I sometimes feel like it trumps the content. When I wrote Shameless I’d just been feeling so over how much bullshit style over substance there is to “making” it in this business.” A fantastic song that is well worth persevering with.

 

Primal Scream- It’s Alright, It’s Ok: Scottish rockers Primal Scream return after a five year wait with their new album ‘More Light’, with this the first single. Straight away it becomes very apparent that this song is classic Primal Scream. It may come as little surprise that this song resembles their hit ‘Moving On Up’ from ‘Screamadelica’, considering they spent time since their last album celebrating their breakthrough albums’ anniversary. They have always tended to do things their own way, and have their own sort of style. ‘It’s Alright, It’s OK’ however shows the band in top form with a gospel backed chorus that will grab your attention. A song that will certainly get the crowds going at festivals throughout the summer.

Misty Miller- Anything For You: Having one EP already this year, with ‘Girlfriend’ being released in February, London artist Misty Miller has already got a second lined up. The new single ‘Anything For You’ is a first glimpse as to what to expect and so far, it’s more of the same. Influenced by 70s rock, there is more of a pop rock sound running throughout this, much like Ida Maria. Its upbeat, has a good riff and is very catchy. It’s certainly got enough energy to capture and hold the listener’s attention. Having seen her live recently when she opened for Jake Bugg, she sounds exactly the same on record as she does on stage; the sign of a talented artist.

Muse- Panic Station: The latest single from Muse’s 6th album ‘The 2^nd Law’ sees the Devon trio doing what they best; being Muse. It sees Muse move into territory that is not all too familiar for them, not that has put them off before.  It has a really funky bassline and catchy beat that is bound catch and hold your interest.  Add to that the space age sci-fi video that accompanies it and you’re transported to this other world where Muse thrive.  Not surprising considering they had full control over the video. For five minutes you are encapsulated in this bubble with one of their best songs to date. It’s an assault on the senses but well worth it as it shows Muse at their full indulgent best.

 

Nico Vega- Beast: An old song with a new video, ‘Beast’ by LA rockers Nico Vega have gained popularity recently after this song was used in a TV commercial for the video game Bioshock Infinite. Well that’s where I discovered the band and the song anyway. Not going to lie, I thought it was a song by Deap Vally when I first heard it, but there’s no getting away from the fact it’s a brilliant song. The rhythmic drum beat is hammered into you from the start, while singer Aja Volkman delivers an almost gravelly vocal. Put that together with a simple yet effective riff and you have something that makes you sit up and take notice. There’s a real punchiness to the delivery that really makes this song stand out; can see why it was used in the TV advert. With these guys along with the aforementioned Deap Vally and Band of Skulls, the future of bluesy style rock is in safe hands.

Noah and the Whale- There Will Come A Time: There was a bit of pressure on London folk band Noah and the Whale after the success of their last album ‘Last Night On Earth’ and in particular their hit single ‘L.I.F.E.G.O.E.S.O.N.’ After all, you’re going to have to follow it up with new material at some point. So what have they achieved with the first single of their new album? Well I’m happy to report that they have stuck to the formula that worked wonders last time. That means no surprises, just a catchy little indie folk song that would be perfectly accompanied by sunny weather and a cold cider. They may not be reinventing the wheel with this song, just sit back and enjoy it for what it is.

Palma Violets- We Found Love: If this song was released in 1996 there would be a good chance it would have been a big hit. There are clear Brit Pop influences in the veins of the Palma Violets music. Their debut album ‘180’ was released in February of this year, with this the current single. The intro is very Suede-esque and they play with an energy that matches any of their 90s predecessors. There’s a real feel good vibe running through this song and has a hook that will stick in your mind. With spots at T in the Park and Reading and Leeds festivals amongst others, they have a busy summer ahead of them, but they’ll be well worth seeing.

 

 

Rival Sons- All Over The Road: Ok, so this song can be found on Rival Sons’ 2011 debut album, which doesn’t make it entirely new. However, they’ve have recently released a new video for the song, which is good enough reason for it to be included here. Those who aren’t familiar with the Rival Sons, they are blues rock band California who wear their influences on their sleeve. While cynics have passed them off as Led Zeppelin wannabes, I am not one of them, although there are hints of ‘Trampled Under Foot’ in this song. They are making a big name for themselves however, and have already opened for the likes of AC/DC, Alice Cooper and Judas Priest. If they carry on making songs like this, then the sky is the limit for these guys. (*even if the dates are a bit out, enjoy the song anyway).



The 1975- Chocolate: Have to admit I wasn’t really taken with this song when I first heard it, but after hearing it on the radio a few times, it’s really grown on me. Taken from their upcoming EP ‘Music for Cars’, The 1975 are slowly making waves and building a reputation for themselves. There’s a simplicity to this song that makes it really appealing. Some may find the radio-friendly indie-ness a bit bland, but I disagree. There’s a catchy little riff and beat to it which, coupled with the jauntiness of the vocals, makes the song a great addition to any radio playlist. They are a band to watch out for as this could be the start of something big.

The Strypes- Blue Collar Jane: Jeff Beck. Noel Gallagher. Dave Grohl. Paul Weller. Sir Elton John. Just a selection of names that are fans of this up-and-coming blues quartet from Cavan in Ireland. Impressive stuff. Even more impressive when you discover that none of them are 18 yet. Having seen them on Tonight… with Jools Holland a couple of weeks ago, I have definitely joined the list. The band really go back to basics, playing the rhythm and blues drawing on influences such as The Rolling Stones, The Yardbirds and Dr Feelgood. They quickly gained a reputation in Ireland with their fast-paced, punkish and gritty “Speed Blues” and that reputation is only going to grow now. They play with an upbeat tempo and swagger that really belies their tender years. Elton John is certainly impressed. While appearing on a US chat show, Sir Elton said that the band “have a knowledge of R&B and blues at 16 years of age that I have only amassed in my 65 years. They’re like a breath of fresh air.”

The Weeks- Brother in the Night: Hailing from Mississippi, there’s a real southern feel to this brand of indie rock from The Weeks. Taken from their fourth album, I stumbled across this totally by accident as it was a recommended video on YouTube. Very glad I checked it out though, as it is a fantastic song. There’s a simplicity but feel good factor around it that really is infectious. They are obviously a band that knows what they want to do musically, and they go ahead and nail it. They may not be a band that people are familiar with, especially so here in the UK, but this is one of those songs that everyone will like, regardless of music taste. There really is nothing not to like. Whether it’s the jaunty chorus, the southern state vibes, or the trumpet in the chorus, there’s just a quality about it that makes you hit repeat. A gem of a song that more people should know about.

 
Tribes- Dancehall: Many of you may go “Who?” at the site if this band on the list, but they are one of the best young bands in Britain right now. Tribes return after their successful debut, with the first single from their new album indicating that they are kicking on from where they left off. I am a big fan of their debut album ‘Baby’ with songs like ‘We Were Children’ and ‘Sappho’ showing the bands strength is writing big, guitar led anthems. If anything, ‘Dancehall’ is more of a ballad but still maintains the quality that ran through their previous album. They manage to sound even better live, which is not really that surprising considering this is music that is meant to grace festivals across the land. I cannot recommend this band enough, and once you listen to this, I’m sure you’ll understand why.

Volbeat- Cape of our Hero: Danish band Volbeat may be by trade a Metal band, but in truth they are much more than that. They play with a depth and versatility that is endearing and is helping them create a growing army of fans. In fact in an interview with Metal Hammer magazine, singer Michael Poulsen said about the new album:

“One of the things I’m most happy about this time is the contrast in the material, the range of the music; on the one side, you have the western motifs, the rockabilly / country songs, and the real emotional melodies, and on the other, some of the heaviest – actually, THE heaviest – songs we have ever recorded.”

Having listened to it myself, there is a real mix and diversity in there that really sets the band apart from anything else around at the moment. This song doesn’t show Volbeat at their heaviest, but is a perfect example of Poulsen’s effortless crooning vocals, a catchy riff and brilliant song writing ability. They are a band that are slowly gaining worldwide recognition, and on this evidence, they deserve to be heard by as many people as possible.

So there you have, another quick roundup of some the best music 2013 has delivered so far. No doubt there will be another one of the in a couple of months time, so keep your eyes out for that.

Anyway that’s all for now, hope you enjoyed it.

Thanks for reading, and feel free to follow, share and comment J

 



 

A selection of the best intros of all time

Now I don’t know about you, but I love a good intro to a song, especially a rock song. A strong intro before the vocals kick in can really get the blood pumping, and sets the rest of the song up nicely for the listener.

Below you’ll find a selection of some the best intros from the world of rock music. You might not agree with all of them, you may think some other songs from bands included have more worthy intros. There’s a real mixture of old and new, rock and metal so there should be something in there you recognise and agree with. But one thing is guaranteed, the little rock monster inside you will be stirred, so turn the volume up to 11 and enjoy J

AC/DC- Thunderstruck: Maybe not everyone’s first choice as favourite AC/DC track, but this song is brilliant. Taken from their 1990 album ‘The Razors Edge’ this song shows the Aussie rockers at their best. While songs like ‘Back in Black’ and ‘Highway to Hell’ would be the popular choice, I find ‘Thunderstruck’ just has that extra little something about it. I once heard this song described as “the meat and potato of rock”, and whoever said that is not only wise but spot on.

Ash- Burn Baby Burn: A great song by Northern Irish rockers Ash, ‘Burn Baby Burn’ is arguably their most successful and recognisable song. That’s mostly down to the seriously catchy riff, but I think the intro as a whole is fantastic. It’s structured perfectly where it builds and builds before bursting into life. It was a close call between this and ‘Clones’ from the album ‘Starcrossed’, but in the end I went for this.

Avenged Sevenfold- Beast and the Harlot: One of the biggest hard rock acts to emerge in the last decade or so, Avenged Sevenfold have established themselves as firm festival favourites. Utilizing a more ‘classic metal’ sound on their third album ‘City of Evil’, A7X are far accessible on this album. With the super quick drum intro and that infectious riff, it sets the song up for vocals full of anger and ‘screamo’ delivery. It couldn’t be any different however, as singer M Shadows has a very strong voice. It is just one of those songs that gets the blood pumping from the get go.

Audioslave- Cochise: Formed by the members of Rage Against the Machine with Chris Cornell on vocals, Audioslave were one of the first big super-groups of the early 2000s. By blending 70s hard rock and 90s alternative rock infused with Cornell’s distinctive vocals, it gave Audioslave’s music a distinct identity. Cochise is a perfect example of that, with Tom Morello’s fantastic riff giving the song real presence. With songs like this, they certainly lived up to the tag ‘Supergroup’.

Dead Sara- Weatherman: One of the new bands on the block by this list’s standards, but boy do they introduce themselves. If you’re unfamiliar with the name, Dead Sara are a female fronted rock band from LA, and they are well on the way to becoming superstars. Opening for Muse on their US tour can only have helped their cause. One listen to their hit ‘Weatherman’ should prove any doubters wrong. Siouxsie Medley is a very talented guitarist while singer Emily Armstrong has a controlled, almost husky aggression and impressive range. ‘Weatherman’ starts with a delicious riff that builds and builds before Armstrong’s screaming interruption. The rest is a full bloodied assault that eases of just before the start of the verse. They are a band that are going places, so I suggest you get hold of their album and see what the fuss is about.

Fun Lovin’ Criminals- Scooby Snacks: A surprise entry on this list you may be thinking, but it is here for one very good reason. It’s not often a film quote ‘makes’ a song intro, but whenever I hear this song censored without Honey Bunny’s quote from Pulp Ficton, it doesn’t sound quite right. The dirty bass line works really well to begin with, but then you get the expletive ridden interlude before an even dirtier riff; it just gives the song an extra kick. It gives the song the perfect amount of angst and attitude and it works fantastically.  With it, the song that extra boost of momentum. Certainly one of my favourite tracks from the 90s.

Guns N Roses- You Could Be Mine: Warning, big claim coming up. This song has the best intro of all time. I don’t care what people say, the intro to this song is absolutely perfect. It shows Guns n Roses at the height of their power and why at the time, they were the biggest band on the planet. It starts with Matt Sorum’s thundering drums which are soon joined by Duff’s infectious bass line. Slash and Dizzy then enter the scene with the guitars until it crescendos and crashes into the main riff. It is rock music at its very best. You may argue that ‘Welcome to the Jungle’ or ‘Sweet Child ‘O Mine’ are better, but for pure hard rock, this is on another level. This is the song that got me into GnR, and it is all down the first 65 seconds or so. If only the line “hasta la vista… baby” followed by that explosion used in video were included on the studio version.

Halestorm- Mz Hyde: There is a rumour that rock is dead. Rubbish. Whoever thinks that needs to put this on and turn the volume up. Taken from their second album ‘The Strange Case Of…’ this shows Halestorm at their hard rocking best. Arejay’s pounding drums set the scene before Lzzy’s brief interlude and Joe Hottinger’s explosive riff. They are another band to watch out for as they on their way to becoming huge. Oh and to just clear something up, Halestorm are a hard rock band, not metal. Just a message to the metal heads who have been moaning since they picked up a Grammy for best Hard Rock/Metal song.

Joan Jett- I Love Rock n Roll: This song has one of the most distinctive riffs and intros of all time, so I couldn’t leave it off the list. It is actually a cover, but synonymous with Joan Jett. Arrows performed the song originally, which is where Jett first heard it whilst touring the UK with The Runaways. She later recorded her own version with her band The Blackhearts and the song went on to spend seven weeks at number one of the US Billboard Hot 100. It’s not hard to see why. The riff is seriously catchy and the song overall just has that extra bite that other versions lack. It might not be the longest intro on here, but certainly one that everyone knows within the first couple of seconds.

Kasabian- Club Foot: With one of the most recognisable songs of the last ten years, Kasabian have established themselves as one of the best British bands to emerge since the turn of the millennium. It was this, the third single from their debut album that propelled them to commercial success. It has become a firm fan favourite and has been used in various TV shows and video games. It starts with build-up of anticipation before it kicks into life with a memorable dirty riff. ‘Club Foot’ is a proper rock anthem, and one that is going to be enjoyed at festivals for many years to come.

Oasis- Some Might Say: Forget ‘Don’t Look Back In Anger’, ‘Wonderwall’ and ‘Champagne Supernova’, this song is a great introduction as to what Oasis are all about. This, the first single from their second album ‘(What’s the Story) Morning Glory?’ was the band’s first UK number one. Written by guitarist Noel Gallagher, he described it as the “archetypal Oasis song” and “defines what Oasis is.” The thing that I like about it though, is that it’s a straightforward rock song. It has a fantastically simple riff that hooks you in for the moment the song starts, and from there the song just gets better. For a time, around the mid to late 90s, Oasis were arguably the biggest band in Britain and with anthems like this, it’s not hard to see why.

Ozzy Osbourne- Crazy Train: When Ozzy Osbourne left Black Sabbath, there were some who questioned whether he would make a return to music given his drug problem. However this song, the first single from his debut solo album proved that the old magic was still there. Teaming up with arguably one of the best guitarists of the era, Randy Rhoads, this song has one of the most recognisable riffs of all time. It starts off with Ozzy’s scream of “All aboard!!” then a laugh, with a simple bass line. The guitar then comes in, and it continues to build before it breaks into that irresistible riff. It’s a real rock classic, and one of the best rock songs to come out of the 80s.

Meat Loaf- Bat Out Of Hell: This song is a classic. Actually, not just the song but the whole album. It doesn’t matter what you think of Meat Loaf and his music, you can’t deny that Bat Out Of Hell has one of the best intros of all time. It is a two minute epic that is absolutely fantastic. There are so many different sections to it, and a perfect introduction to one of the best-selling albums of all time. It is a huge song that has stood the test of time, and still sounds as fresh it has ever done.

Metallica- For Whom The Bell Tolls:  I am not a big Metallica fan, but I love this song. The thrash giants start with this two minute extravaganza to the first single from their 1984 album ‘Ride the Lightning’. It is structured brilliantly and utilises a tolling bell, much like ‘Hells Bells’ by AC/DC. It is typical Metallica, with a heavy, dirty riff that offers a good tempo. There are 4 distinct sections to the intro, which could make it sound disjointed. But that couldn’t be further from the truth. They link together perfectly and show what a strong band Metallica are. Songs such as ‘Enter Sandman’ and ‘Master of Puppets’ may be more high profile, but in my opinion, I think this is one of their best songs.

Motley Crue- Kickstart My Heart: Taken from their 1989 album Dr Feelgood, the song was written by Nikki Sixx after his brush with death. It’s a song really does get the adrenalin pumping. Maybe not the best choice of wording, as the song is about Sixx’s drug overdose where he was subsequently declared dead, before being revived by two adrenalin shots to the heart. The song itself is in your face from the start. It begins with Mick Mars’ guitar effect leading into the crunching riff, followed by Tommy Lee’s pounding drums. It really does pack a punch. It also gets the blood surging, and is a great example of Motley Crue doing what they do best; proper hard, sleazy rock.

Muse- Knights of Cydonia: The epic that closes their ‘Black Holes and Revelations’ album, Knights of Cydonia has an intro to die for. The drum beat that has the horse riding vibe in particular gives it an extra edge. ‘Plug in Baby’, ‘Hysteria’ or ‘Starlight’ could easily have made the list, but think it shows just how good this song is that those others have been left off. It starts with a Wild West style sound, with the sound of horses galloping by, followed by an almost tribal chant. This then breaks into a fantastic drum beat that mimics the sound and temp of the horses. You then get a rehearsal almost of the first verse with the lead guitar before it makes way for Bellamy’s hushed tones doing the same, over the top of the continuing galloping beat. A blast from a trumpet then announces its time for the vocals to start. It’s a truly brilliant way to start a truly brilliant song. It’s my personal favourite of theirs, and they will have to go some way to top it. It shows Muse at their very, very best.

Poets and Pornstars- Rock n Roll: I would be surprised if you are familiar with the name Poets and Pornstars; they only lasted one album before disbanding. It’s a shame, because they certainly knew how to rock. If ever a song did what it said on the tin, then this is it. It’s called ‘Rock n Roll’ and rock n roll is exactly what you get.

Queen- Tie Your Mother Down: Ok so this has the end of We will rock you bolted to the front of it, but it still sounds epic. Queen are one of, if not the, best British band ever, and they show their versatility here with a real rock anthem. It is typical Queen, with the distinctive Brian May guitars and Freddie Mercury swagger, it appears on their 1976 album ‘A Day at the Races’. With a fantastic riff and upbeat tempo, it might not be one of the best know Queen songs, which arguably makes it one of their most underrated tracks.

Queens of the Stone Age- No One Knows: This song is one that definitely deserves the title ‘modern classic’. With that instantly recognisable riff, it’s a song that really sticks in the mind. The intro may only last 15 seconds, but it’s one that makes you sit up and take notice. With Dave Grohl on drums, it is the first single from their 2002 album ‘Song for the Deaf’. It was a commercial success, being the most successful single from the album and was nominated for ‘Best Hard Rock Performance’ in the 2003 Grammys.

Rev Theory- Hell Yeah: A name that might not be familiar to some compared to the other bands on the list, but give a listen to this song and you’ll soon understand why it’s included here. If anything, this song should have been released in the late 80s as it would have fitted perfectly into the whole 80s hair metal. There’s enough sleaze in there to make that work. That’s not to say they’re 80s throwbacks, far from it. They are very much a contemporary rock band, with influences that nod their heads to the 80s generation. The intro to this song is perfect. From the rolling drum beat, to the spoken words and laugh to the crunching riff it just blends together perfectly. It also has a wonderful shout out/sing along chorus that really give it extra momentum. Think Black Stone Cherry meets Motley Crue and you are just about there. Best enjoyed turned up to 11.

Slash’s Snakepit- Beggars and Hangers On: Released in 1995, Slash’s Snakepit was formed as a side project that included Matt Sorum and Gilby Clarke from the dying embers of the then Guns n Roses line up. Even though the signature Slash sound is in there, it is a different sound to that found on previous GnR albums. It has a slower tempo, with a catchy swamp like intro with those distinctive Slash licks (that probably doesn’t make sense, but it’s the only way I can think to describe it). The album and subsequent tour was a success, but cut short when the record label pulled financial support for the tour. It’s a shame because Slash left GnR not long after, and even though Snakepit resurfaced with a new lineup, they couldn’t quite match that first album, and it would be a while before Slash’s next project came to fruition.

Slipknot- Psychosocial: I’m going to admit right at the beginning, I am not a Slipknot fan. In fact there’s only about 37 seconds that I do like, and that just happens to be the intro to Psychosocial. Its brilliant right up until Corey Taylor opens his mouth, which is a shame because he’s got a really good voice, e.g. Stone Sour- Through Glass.

Status Quo- Whatever You Want: Say whatever you want (apologies for the horrific pun) about Status Quo, but the rock legends have been around for near 50 years and  you don’t have staying power like that without having some talent. So what if they only play with three chords, the end result is fantastic. A perfect example of that is this classic from their 1979 album of the same name. It reached number 4 in the charts, and has been a mainstay of their live show ever since. It is one of their most recognisable songs, and has been used in many TV commercials.

Sum 41- Fat Lip: That’s right, got a pop punk classic on here, and it comes courtesy of Sum 41. One of the songs of my generation this is, the intro is etched into the memory of my childhood. That and it appeared on the album ‘Now 50’ (before I got ‘All Killer No Filler’). This song is teenage angst at its very best, anti-establishment and rebellious it was the perfect soundtrack to the youth of the time. It’s stood the test of time remarkably well as well. Whereas other pop punk sounds a little dated, this still sounds fresh. Mark of a top quality song.

The Answer- On and On: The Answer, a rock n roll band from Northern Ireland, have been around for a few years now, and with three albums in their armoury and a fourth on the way, they have a growing reputation as part of the new generation of rock artists. This song taken from their second album ‘Everyday Demons’ shows exactly what the band are all about. They play Led Zep-esque blues rock, but to pass them off as imitators is not only unfair but inaccurate. Sure there are clear influences, but they are talented in their own right. Paul Mahon is a fantastic guitarist, while Cormac Neeson is a very good frontman. They may not be a household name yet, but they have the talent to become one.

The Black Keys- Lonely Boy: It may have taken a while for The Black Keys to find commercial success, but they got there eventually. With their album ‘Brothers’, they finally made the mainstream breakthrough that took them to the next level with songs like ‘Howlin’ for You’ and ‘Tighten Up’. Their follow up album ‘El Camino, from which this song is taken, has continued that trend. It won the award for ‘Best Rock Performance’ and ‘Best Rock Song’ at the 2013 Grammys. The mixture of the catchy riff with the use of a keyboard makes the intro particularly memorable. It is one of the best contemporary rock songs of recent times, and was received very favourably with critics and fans alike. Plus the dancing guy in the video is brilliant.

 
The Raconteurs- Steady As She Goes: ‘Steady As She Goes’ is the debut single from The Raconteurs, a project including White Stripes guitarist and frontman Jack White. It starts off in typical minimalist White fashion, with a simple drum beat, followed by a simple bass line followed with a catchy yet simple riff over the top. It’s not until you reach the chorus that the song is in full stride, but by then there is a good chance you are already hooked. The Jack White DNA is laced throughout this song, but it has a different vibe to the White Stripes material, there’s a slightly meatier feel to the delivery. The song peaked at number 4 in the UK and reached number one on the Modern Rock Track chart in the US.

 
The Who- Baba O’Riley: I was going to include ‘Won’t Get Fooled Again’, but then remembered this, and changed my mind. Written by Pete Townshend, it appears on The Who’s 1971 album ‘Who’s Next’ It’s a song that everyone knows, so there really isn’t much to say other than to sit back, turn it up and enjoy a classic.

Thunder- Dirty Love: One of the best British bands people have never heard of, this is perhaps Thunder’s best song. Appearing on the band’s debut album ‘Backstreet Symphony’ in 1990, this is one of their most popular songs. With fans at least. Unfortunately, the timing was unfortunate, as the release coincided with the rising of the grunge scene. Even though the album wasn’t the commercial success it deserved, Thunder still managed to gather a strong and loyal fan base. This is partly down to a very energetic and engaging live show. They arguably announced themselves with their superb appearance at Monsters of Rock in 1990, with this song closing their set. The live version of the song that appears on their 2009 ‘Best Of’ album is fantastic, and shows just how good this song, and the band is.

Velvet Revolver- Slither: Now the more eagle eyed readers will have spotted that this is the third time that Slash appears on this list. Now I am a big Slash fan, but I don’t think anyone could argue that this song doesn’t deserve to be on this list. Consisting of the ex-GnR axeman as well as bassist Duff McKagan and drummer Matt Sorum, there was also Dave Kushner on rhythm guitar and Stone Temple Pilots singer Scott Weiland on vocals. Given the strong Guns n Roses core, there is a very familiar sound to VR’s music but it is given its own identity with Weiland’s characteristic vocals. Taken from the album ‘Contraband’, it is arguably the band’s most recognisable song with Duff’s instantly identifiable bass line and Slash’s irresistible riff. The band may currently be on hiatus after the sacking of Weiland, but it would be interesting to see if the Velvet Revolver name got revived. I’d certainly be more excited for a new VR album than a new GnR album.

Well there you go, 30 of the best intros of all time. I know there are loads I’ve missed out, I couldn’t include them all, but hopefully you agree with a good few of them. Again these are all personal choices, and I could easily have picked another 30, but this'll do for now.

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