Saturday 15 February 2014

Gig Review: Frank Turner and the Sleeping Souls @ Portsmouth Guildhall

Frank Turner and the Sleeping Souls @ Portsmouth Guildhall 13/2

I may have been a bit late to the party in terms of becoming a Frank Turner fan (I only got into him after his appearance at the Opening Ceremony of the London 2012 Olympics), but having listened to his albums he has someone I have wanted to see live for a while. Fair to say he didn’t disappoint.
 
This was show number 1,528 and although this was my first, it lived up to all expectations. This was his first arena tour and although there were reservations about him playing bigger venues, from my point of view, his music works perfectly on a grander scale. Especially with thousands of people singing the works back at him. “I didn’t really write these songs to be played in a room this size and shape. “I wrote them to play in bedrooms and bars. But we’re here because this many people wanted to see the band. It’s not about the room. It’s about us,” Turner explained.
 
In fact Turner had played the O2 Arena, London the night before to 20,000 people, so the capacity 2,500 Portsmouth crowd certainly had something to live up to. Fair to say I think we did ourselves proud. The fact that Guildhall was the first venue to sell out for the tour was a good sign. It was also the last night of the tour, although a solo homecoming show in Winchester had been organised for the following night, so Turner wanted to go out on a high.


Beans on Toast
Before Frank took to the stage though, there was support from Beans on Toast and Flogging Molly. Having never heard of Beans on Toast before, it didn’t take long for him to make an impression. With songs about serious subjects such as fracking, chickens and blow jobs, his humorous yet punkish lyrics related very well to the crowd. He also gave the crowd options with the setlist he played as well, giving them to choice to vote between two songs as to which got played. Overall he was very entertaining. Well worth checking out.

FM, Pyramids Centre 2011
Having seen Flogging Molly before when they played the Pyramids Centre in Portsmouth a few years back, I knew exactly what we were in for. They were fantastic when I saw them before and nothing has changed since. They had the had the crowd in the palm of their hand within the first thirty seconds or so of their opening song ‘Drunken Lullabies’, and after playing a short set consisting of favourites such as ‘Float’, ‘Devil’s Dance Floor’ and ‘What’s Left of the Flag’ they had the place well set for the headline act.

The man we had all come to see was next, and throughout the 2 hour and 24 song set, people were clapping, dancing and singing along. Songs such as ‘Photosynthesis’,’ The Road’, ‘If I Ever Stray’ and ‘Wessex Boy’ were all such examples of mass participation. And ‘Eulogy’. And ‘The Way I Tend to Be’. And ‘Losing Days’. I think you get the picture. It wasn’t just an impressive performance audibly though. Visually it was striking with effective use of the lighting making it an impressive spectacle.

With the ‘Best Crowd of the Tour’ award still up for grabs as well, we had to out-do Manchester, Nottingham and London during ‘Recovery’ by combining singing, jumping and clapping in one routine. To aid in our effort, Turner’s road crew joined the stage dressed in animal costumes to lead proceedings. Naturally we beat our rivals, of course.
He finished his set with two of my personal favourite songs of his, ‘I Still Believe’ and ‘Four Simple Words’. I love them because I can relate to them on so many levels. They encapsulate perfectly how I feel going to live music and about rock music in general, so to sing along to them live was something special.

It was a fantastic end to a brilliant night. His songs take on an extra dimension live, with added energy and the impressive Sleeping Souls playing with him, it made it a great night. It was well worth the late night and getting only 3 hours sleep before work the next day. A lot of people said “Frank who?” when I said I was seeing him live. It’s their fault they haven’t heard of him, as they are missing out on a real talent.

 

 

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